Georges de La Tour

1593-1652

Georges de La Tour (1593-1652) was a 17th-century French painter. Born in Lorraine, he was inspired by the Italian masters and Caravaggism, but developed a personal style marked by nocturnal lighting effects and a rather silent atmosphere. His works feature figures with sculptural faces and meditative attitudes. Forgotten after his death, he was rediscovered in the 20th century and is considered one of the great masters of chiaroscuro. His best-known works include Le Nouveau-Né and La Madeleine à la veilleuse.

A 17th century French painter

Born in Lorraine, Georges de La Tour was inspired by Italian Masters and Caravaggism, but developed a personal style characterised by nocturnal illumination and an atmosphere of silence. His works feature characters with sculptural faces and meditative attitudes bathed in a warm light, such as Madeleine with Two Flames (1640) and The Newborn Child (1648), perhaps the most famous painting. Disappearing from view after his death, the painter was rediscovered in the 20th century and is now considered one of the great masters of chiaroscuro.

Georges de La Tour, Le Tricheur à l’as de carreau. Musée du Louvre ©GrandPalaisRmn / Adrien Didierjean
Georges de La Tour, Le Tricheur à l’as de carreau. Musée du Louvre ©GrandPalaisRmn / Adrien Didierjean
Georges de La Tour, Le Tricheur à l’as de carreau. Musée du Louvre ©GrandPalaisRmn / Adrien Didierjean
Georges de La Tour, Le Tricheur à l’as de carreau. Musée du Louvre ©GrandPalaisRmn / Adrien Didierjean

The Cheat with the Ace of Diamonds

Among many mysteries surrounding this painting, the circumstances of its creation and its original recipient remain unknown. Discovered and purchased by the collector and art merchant Pierre Landry in 1926 and now on display at the Louvre, it is one of the most popular works with visitors. Its theme, popularised by Caravaggio in the late 16th century, as well as its composition, make it a unique painting. Featuring three card players and a servant, it reads from left to right, like text on a page. Their looks are meaningful, as is the game of the player on the left: the trio are about to steal from the player on the right side of the table. With apparent irony, the work denounces three vices at once: gambling, alcohol and luxury.

Did you know ?

Georges de La Tour was the official painter of King Louis XIII of France

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