Elisabeth Louise Vigée Le Brun

1755-1842
Vigée Le Brun's self-portraits abound: paintings, pastels and drawings elegantly combine grace and feminine pride. As the Ancien Régime and its fine arts institution came to an end, the artist supplanted most of his portrait competitors. Her desire to overcome the constraints imposed on women artists allows her to develop a very personal technique and aesthetic criteria: she masters the science of colour and invents a whole range of poses and costumes that allow her to bring a great variety to her portraits and improvisations.
" I have only been happy in painting " Elisabeth Louise Vigée Le Brun

With the Ancien Régime and its Royal Academy coming to an end, she succeeded in supplanting most of her rival portrait artists. Vigée le Brun's desire to break away from the constraints imposed upon women artists allowed her to develop her own distinct techniques and aesthetic criteria. She mastered the science of colours and invented a whole range of poses and costumes that brought great variety to her portraits and improvisations. Marie Antoinette with a Rose (1783), exhibited in Versailles, is one of the most famous portraits of Marie-Antoinette.

Elizabeth Louise Vigée Le Brun, La Paix ramenant l'Abondance. Musée du Louvre ©GrandPalaisRmn / Philippe Fuzeau
Elizabeth Louise Vigée Le Brun, La Paix ramenant l'Abondance. Musée du Louvre ©GrandPalaisRmn / Philippe Fuzeau
Elizabeth Louise Vigée Le Brun, La Paix ramenant l'Abondance. Musée du Louvre ©GrandPalaisRmn / Philippe Fuzeau
Elizabeth Louise Vigée Le Brun, La Paix ramenant l'Abondance. Musée du Louvre ©GrandPalaisRmn / Philippe Fuzeau

Peace Bringing Back Abundance

While her portraits of the Queen of France have marked the history of painting, Peace Bringing Abundance remains one of her most famous works. This canvas was produced for her entrance portfolio for the Royal Academy of Painting and Sculpture in 1783. The painter dared to present Abundance as a young blonde woman with an uncovered breast, defying all the rules in force at a time when the academic nude was reserved for men. Peace is represented here in a brown tunic and a blue coat, accompanied by her traditional attributes - the laurel wreath and olive branch. By taking on a symbolic subject, Elisabeth Vigée Le Brun proved that she was not only a portraitist, but also a painter of History.

Did you know ?

Elisabeth Louise Vigée Le Brun is Marie-Antoinette's official painter

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